I am officially a bionic man, 2 titanium plates and 9 screws later, good as new...
Notebook / Misc
Bruised Ego, Broken Ankle...
As it turns out I'm not quite as durable as I used to be. Rolled my ankle really hard the other night playing hockey and fractured my tibia and fibula. Basically my foot is floating around like a bobble head and it hurts like hell. I'm told it could have been much worse. Scheduled for surgery on Friday to put in a couple plates and pins. They wanted to do it Thursday but I told them I couldn't miss the last day of class and abandon my students like that. I hope they realize how dedicated I am... if you're reading this kids, I like really expensive bourbon.
Patreon Updates
Now offering both 5x7 and 8x10 fiber base darkroom prints each month, in addition to exclusive content and discounts on prints and books...
Visit http://patreon.com/jszymanski for more...
Paging Dr. Eveland...
So I took some head shots awhile back of this fancy doctor lady from San Francisco and they used one for an article on the SF Aids Foundation website. Also, that's my wife... and I'm still not entirely sure why she hangs out with a bum like me...
http://sfaf.org/hiv-info/hot-topics/from-the-experts/passionate-about-providing.html
West Bound...
Somewhere underneath all that fog is home... just returned from two weeks in South Florida... had a wonderful time with friends and family, but glad to be back in the Bay...
Islamorada...
Islamorada, The Florida Keys, January of 2016.
Just spent a few days in the Florida Keys driving a "borrowed" Corvette Stingray convertible... By far one of the strangest and most beautiful places I've ever been. South Florida never disappoints on the crazy...
Another Semester...
Another semester gone... thanks to all my students for keeping me young and giving me more gray hair at the same time. Now stop calling me about your grades, it's only been 24 hours. You know who you are.
New Prints
Working on some new prints for an old friend. Lots more prints available in my online shop, and of course, discount codes when you support my work on Patreon.com/jszymanski
Exclusive content, behind the scenes, process notes and discount codes on patreon.com/jszymanski
Patreon Updates...
Lots going on these days, I've posted quite a few wider takes / series over at patreon.com/jszymanski... as well as behind the scenes images, process notes, and discount codes for the print shop. If you're interested in supporting the work that I do follow the link and consider making a pledge... http://patreon.com/jszymanski
Gwendolyn Jane & Ivy Lee
(Gwendolyn Jane, Digital Test.) Had the pleasure of working with two different models on Saturday... Gwen I'd worked with in the past, but I'd never shot with Ivy before, who's in town from Philly for a couple weeks. It was a long day, 5 hours straight through, my first double header. Think there will be some good shots in there... film scans to follow soon....
(Gwendolyn Jane, Digital Test.)
(Ivy Lee, Digital Test.)
(Ivy Lee, Digital Test.)
Is cyber-Monday still a thing...?
In honor of Black Friday (gag) and with a nod to the gods of capitalism (sigh) this is a public service announcement to remind everyone to support the arts this holiday (buying) season. Pop on over to my online shop for all your (re)gifting needs!
I'm No Salesman...
I'm no salesman, which is the understatement of the century for those who know me. I'm often reminded while trying to promote my work of the comedian Kyle Kinane and his pondering of the futility in his attempt to sell cake decorations by phone...
"If you ever want to feel like a toothless cog in the machine of humanity, try selling gourmet cake decorations over the phone... Hello, would like to buy any cake decorations today? No? I completely understand... "
I've always had a difficult time treating my work as a commodity. However I am in the business of creating a very real, three dimensional product, such as it is, that is becoming somewhat of a rare commodity these days. In an effort to print more of my own work, while subsidizing the process to the extent that I can, and at the same time sharing more of what I do with the world, I've started an experiment of sorts on a new(ish) site called Patreon.
So how does this work? Simple, you sign up to pledge x amount of dollars each month and in return you get stuff from me, such as...
- Access to all exclusive content I post on Patreon, including wider takes of many series, behind the scenes, process notes, etc. I'll normally be posting twice a week, both new and archived material.
- Random perks in the mail from time to time, such as postcards, short run proof prints, things of that sort. I totally dig the mail and really love sending people stuff...
- Discount codes for books, silver gelatin prints and polaroids in my online shop. Always adding news things to the shop, I'll be posting discount codes for patrons on new work as I add it.
- A 5x7 inch proof print of your choice. One final perk, just for singing up and becoming a patron, I'll send you a 5x7 proof print of your choice.
I'm starting out simple and small with one level of support. Eventually I'll be releasing prints on a monthly basis in varying sizes with increasing levels of support... I've just begun adding content, but expect to be posting more material regularly from here on out...
If you're interested, please check out my page. http://patreon.com/jszymanski
If you have questions, please don't hesitate to contact me directly.
Notes On Process...
I've recently started tinkering around with a page on Patreon, which is a site for creative folks to basically crowd source funding on a monthly or per project basis. An interesting idea to say the least, so in an effort to subsidize some of my own work I'm going to be releasing prints and some exclusive content there in the coming months. So in the interest of transparency I thought it would be useful to lay out my print process, such as it is... Cameras, Film and Processing
Some years ago I started shooting Leica rangefinders. I’m not a Leica freak, I don’t collect cameras. I am notoriously hard on my gear, and I shoot Leicas because, quite frankly, Germans make really good cameras. The glass is razor sharp and the bodies last forever. All the equipment I own is twice as old as I am. For a larger rant on this please see Notes on gear, film, process and the like…
I shoot predominantly with Ilford HP-5 Plus rated at ISO 320 to give the negs a little more punch. It has great detail even when printing 20 x 24 inches and larger, as well as a great deal of exposure latitude, which is good since I’m lazy with the light meter and tend to guess. I normally develop with Rodinal, which cranks up the grain but leaves the negs pretty sharp.
Again, see this post for more on the this...
Enlarger / The Beast
I’m currently using an old Omega D2 variable condenser enlarger with a Rodenstock 50mm lens, and this thing is built like a tank... I've removed the glass condensers and hot lamp in the head and replaced them with an Aristo Cold Light head that sits directly above the negative stage. The cold light head produces a very sharp, high contrast print with little or no filtration, and without the condensers, dust on the negative is less likely to print. Cold heads use a fluorescent tube in a grid pattern, giving perfectly even illumination across the film, eliminating soft corners that often occur with condensers. The light is much more intense than a hot bulb, exposure time is cut nearly in half. I’ve also filed out all my negative carriers to print full frame.
Paper and Development
My paper of choice is Oriental-Seagull variable contrast fiber base. Oriental is a high contrast, cold tone paper, with rich blacks and a clean white base. It filters well with the cold head and is pretty similar to the Seagull G paper that Ansel Adams used. It's a really lovely paper and makes an amazingly rich print, especially when toned.
My typical recipe for developer these days is Legacy Pro B&W Powder, which is basically identical to Kodak Dektol (the greatest developer ever made) at half the price and with a longer shelf life. I add a couple milliliters of restrainer, which is a developer additive that cools the image tone down a bit more and cleans up the highlights.
From there the prints get a good wash before a second fixer bath, then are toned in Selenium toner to pump up the blacks. The selenium toner also improves longevity, making the shelf life of the print pretty close to the half life of uranium...
From there everything gets washed, flattened, spotted for dust, signed, dated, and sold for exceedingly large sums of money... or more likely, stuck in a box to appreciate in value until I'm dead.
Sarah, digital test...
Sarah, Digital Test - October of 2015
Got the chance to work with Sarah again late last week... She was one of the first models I ever worked with. Sad to say she's leaving the Bay Area like so many other creative folks these days. I often wonder how long San Francisco can support the crushing weight of mediocrity that's chasing everyone worth a damn out of this town...
“We stand to lose a lot of our history"
“If we don’t find a solution our 21st Century will be an information black hole. “Future generations will wonder about us but they will have very great difficulty knowing about us.
“We think about digitising things because we think we will preserve them, but what we don't understand is that unless we take other steps, those digital versions may not be any better, and may even be worse than, the artefacts that we digitised.
“We stand to lose a lot of our history. If you think about the quantity of documentation from our daily lives which is captured in digital form, like our interactions by email, people's tweets, all of the world wide web, then if you wanted to see what was on the web in 1994 you'd have trouble doing that. A lot of the stuff disappears.
“We don't want our digital lives to fade away. If we want to preserve them the same way we preserve books and so on we need to make sure that the digital objects we create will be rendered far into the future.”
- Vint Cerf, Google Vice President
She calls herself a Hydra...
Got the chance to work with a lovely local model the other day, Marina the self proclaimed Hydra. Burned a few frames with a digital camera I borrowed to warm up a bit and thought I'd post a few shots, as well as some behind the scenes snaps for good measure. Have a look at her work @ http://www.modelmayhem.com/810750
Way behind on film but watch for scans and Polaroids to come from this shoot...
Westbound...
Back in The City... feels like fall here all of a sudden.
On the road...
East bound this weekend, currently 97 degrees out... every few months we head out to Mariposa, outside Yosemite, where my wife works at a weekend clinic while the dog and I lay around nap all day... good work if you can get it.
and the bay continues to bleed talent...
Got the chance to work with Aubrey one more time before she leaves town, yet another victim of the absolutely ludicrous and ever increasing cost of housing in the Bay Area. Seems like San Francisco is just bleeding talent these days. It's a shame to lose so many creative types for completely preventable problems fueled solely by greed...
Always a pleasure to work with this girl... a photographer herself, she has a wonderful presence on film, a rare gift. Thought I'd post a few behind the scenes snaps and test shots just for giggles... Polaroids and scans to follow just as soon as I develop the pile of film I've been putting off.
Good luck Aubrey... we'll miss you...
New Polaroids...
Shot a bunch of Polaroids in the studio the other day with a new model from Poland... scans and film to come... down to my last 18 boxes of Fuji FP3000b instant film. Going to be a sad day indeed when it's all gone.